New X-Files Trailer (UPDATED)

UPDATED WITH NEW TRAILER: Thanks to Reader Giles. The new one is totally metal.

The trailer here doesn't show much but what it does show seems to lock in with a leaked report on the first episode of the new series (titled "My Struggle"). If the report I read is to be believed Carter is presenting a radical new spin on the alien colonization mythos, one that ties into the critique he is obviously aiming at the surveillance state here.

At first it seemed like a retcon (again, if reports are to be believed) but on further reflection it actually answers a lot of long-standing issues fans had with the Mythology itself as well as issues I myself had stemming from (at least) the Sixth Extinction series.

It's good and true that they look older and more beaten down. It's a bit more honest to the romantic archetype of the lost cause. It's also ballsy as hell to revisit Roswell in 2015, long after the event has had any resonance in the culture at large but at a time when we're seeing more UFOs (and orbs, especially) than ever before, flying above our heads like unwelcome guests, leaving no clue as to their motives or intentions. 

But also at a time when the situation beneath them looks ever more apocalyptic.

As to these orange orbs that have become nearly epidemic, I'll quote Kenneth Grant, from a book written just as The X-Files reached his shores:
Anyone who has read with attention accounts of UFO encounters will have noted the high percentage of sightings involving the colour orange, the blending of red and yellow. In the Kala-grammar of occultism, orange is associated with Path 17, the Path of the Double Current. Its magical aeon, or angel, is Zain typified by the sword or scimitar. UFOs are frequently reported as being crescent-shaped when not egg-shaped or lenticular.

Night Force, Part Two: Mind as Weapon (or not)

"And I saw a beast coming out of the sea. It had ten horns and seven heads, 
with ten crowns on its horns, and on each head a blasphemous name." 

I saw Killing Joke in 1989. To give you a sense of how long ago this was, The Red Hot Chili Peppers opened up for them, the Peppers' first tour with their "classic" Blood Sugar Sex Magic lineup. It was an outdoor event, held in a soccer practice field at Rutgers University.

 The Peppers were received politely but hadn't really built up a repertoire of memorable songs at that point (the cover of Hendrix's "Fire" got the biggest response). Setting the scene, Killing Joke had merch and posters all over the place, all sporting their signature surrealist/brutalist occult imagery

The field was at the bottom of a hill, and a long and winding driveway. The sun was going down as the Jokers took to the stage. They were accompanied by an escort of students carrying torches. The band were all dressed in black leather and Jaz Coleman was smothered in black warpaint. The PA system blared some hellish sounding pipe music.

 It was phenomenally irresponsible. You had a large crowd packed into a small space and Killing Joke were tapping into very dark streams of the collective unconscious. Their march to the stage seemed to take forever and you could feel the crowd slowly but surely devolve into a mob. People were shifting, restless, wary. This was straight out of Munich.

I don't know what force intervened but the fuse was cut when the band took the stage and the sound was an inaudible hash. The band seemed to be giving it their all but all you hear was a tinny, undifferentiated din. 

And it's a bloody good thing too. Because had the full power of that band blasted into the night after that pre-show display there's no telling what could have happened. I had seen them a few years before in Boston and the violence in the pit was downright atavistic.

Pretty much a typical Killing Joke concert in the early 80s

That was at the same venue I remember seeing The Misfits. I remember talking with Glenn Danzig before the show, who was then a scrawny comics geek. He was a big Night Force fan too, as well as a big fan (obviously) of Tomb of Dracula. 

Night Force of course being a cautionary tale about unleashing the forces that Killing Joke were toying with that night...

There's been a lot of theorizing and research done on the intelligence agencies and their involvement in the counterculture(s), a lot of it interesting, a lot of it not. One of the mistakes made in researching this nexus is misunderstanding what the black magicians of projects like MK Ultra were really after. 

Assuming they were after simple mind control, whose techniques have long been known and practiced, is the first mistake. Television, religion and the public school system were and are already highly effective mind control techniques. Cults had been incubators for mind control techniques for a very long time, highly effective ones at that.

I think what they were really after - and could never tell their paymasters in Congress- were ways of weaponizing the subtle powers of the mind. It's exactly why the government sent the skeptic groups (all of whom were reliant on government income in one way or another) to put the lid back on when people like Andrija Puharich wandered off the reservation and started telling the public what they were in fact after.

I think this kind of "mind control"-- suppressing the potentials of the mind to step outside of the linear boundaries of time and space-- is the unspoken driving force behind so much of our history and politics. 

Both the Left and Right, both religious and secular authorities, are united in the their fear and loathing of the potential of the human mind to escape the limits set out for it by thousands of years of law and taboo. The only way it can be allowed to be studied if that study will lead to some kind of weapons technology.

Night Force has the Russians far advanced in psi research, which a Russian general told Jacques Vallee was because the Russians "had never burned their witches," a statement which Vallee found quite shocking. One can only wonder if Putin is still looking into any of this or whether the generals have long ago given up on any of it ever giving rise to weapons technology.


I think the first Conan film (written by the great Hollywood iconoclast John Milius) was, like Night Force, an allegory of bizarre goings-on in the Intelligence world in the 50s and 60s. The contexts are obviously different but you see the same critique that there may have been more at work in some corners of the 60s counterculture than some are prepared to admit. 

For instance, Owsley Stanley was horrified by Ken Kesey's "acid tests", calling them out -- accurately, in this writer's opinion-- as exercises in black magic. Whether this was intentional or Kesey was such a brain-fried basketcase that he stumbled on the formula is anyone's case. The evidence is inconclusive.

Certainly many of the original movers and shakers of the hippie scene- the actual counterculture, not the counterfeit counterculture that arose in the late 60s-- saw which way the winds were blowing and tried to kill of the Hippie meme during the "Summer of Love" with the notorious "Death of Hippie" action, just as the major media was turning its focus on Haight-Asbury.

It didn't work. The free-wheeling, untamed, self-sufficient hippie would be replaced with a tamed, leashed counterfeit, one all wrapped up in the Globalist agenda. The same process would repeat itself with every counterculture that arose in reaction. A few weirdos coalesce and create a movement which is almost instantly coopted by the money men and replaced with a toothless imposter. Which seems to be all that's left now.

But the original freaks couldn't compete with the power of the networks and other media giants who would summon tens of thousands of fucked up kids to California in search of hippie Nirvana, only to find predators, STDs and shitty homemade drugs.

There was a two headed hydra at work. Unleashing chaos in the streets- the feeling of being of being invaded by an alien force- roused the "Silent Majority" from its self-satisfied idealist idyll and put Richard Nixon in the White House, smack dab in the middle of the Aquarian Age.*

But there also were experiments being done through the Stanford Research Institute and other venues, seeking to harness this youthful energy and see how weird it could get. And trying to determine whether that weirdness could be weaponized, as we saw in Night Force.

We probably shouldn't be surprised that the forces of darkness soon stomped all over the flower beds of the Aquarian starchildren. Anton LaVey unleashed the satanic virus while his lieutentant Michael Aquino measured its effects for the US Army's mindfucker units.

What the counterculture conspiracy theorists don't tell you is the rest of the story, how the entire Aquarian project was steered into rounding up all the sheep for the CIA's Jesus People program, which was backed by the Hearst and Luce empires. 

We're stuck in a 70s loop so the flower children stuff still seems resonant but the actual, documented fact is that the psychedelic era was extremely short-lived as a mass movement and was arguably simply a feeder project for the Jesus Freak movement, which in turn fed into the Religious Right in very short order. I remember all of this happening when I was a kid.

People who were actually on the street in SF and LA will tell you how quickly acid and pot gave way to STP, angel dust and bathtub speed, creating an army of instant drug casualties ripe for exploitation. And anyone who was alive in the 70s will remember how widespread the Evangelical revival was and how it came with the testimony of the recovered drug casualty. How strange that part of the story seems to have been expunged from the conspiracy lexicon.

Jacques Vallee's diaries of the early 70s paint Church of Satan guru Anton LaVey as a somewhat deflated, defeated figure. Did he realize that he was puffed up simply to play the scapegoat in a large-scale Mystery Play, one that led- as Vallee also documents- to armies of Evangelicals combing the streets of Los Angeles gathering up hippies for the new Great Awakening?

This isn't meant to bash Evangelicals, simply to point out that none of us are immune to the forces of history. But it does grate on my nerves how this history seems to have been expunged from the conspiracy lexicon, for entirely ideological reasons.


In the age of Beardy and Baldy (Alan Moore and Grant Morrison for the uninitated), all this kind of madness is standard fare for comics. But Night Force came out in 1982, when the average comic reader was 15 years old and most comics were still sold on the newsstand. It was only Marv Wolfman's clout as the writer/editor of DC's top selling title that allowed him to dig into such esoteric topics, and even then it only lasted 14 issues. 

He got even more esoteric, and delved into even thornier political topics. It seems remarkable in hindsight, but goes to show how accommodating the Kahn/Giordano regime were to valued creators.

Besides being a great comic and a great artifact of its time (it's best read not in reprint form but in its original presentation, so you can appreciate the wild contradiction of occult subject matter and toy and candy advertisements- plus, the coloring in the reprints is atrocious) Night Force also feels like a kind of prophecy of our times. It was too far ahead of its time, too challenging for a still-young audience- though Wolfman notes that it sold well on the newsstand (almost certainly outselling anything on the stands today). 

Keeping us trapped in our reptilian brain- the "fight or flight" fear-response part of our minds- is a highly effective way of blinding us to the perhaps the greatest secret of all- that consciousness is not bound by the strictures of time and space and causality.

I don't believe that's true- I know it for a fact.† It's something I experience on a regular basis. Of course, if that knowledge can't be weaponized it's not much use to the powers that be. And as far as I can tell, these subtle forces have thus far been immune to exploitation, no matter what kind of nonsense you might have read in our alleged scientific press.

* Can you think of somewhere else where this process may be in the process of repeating itself? Especially anyone familiar with the actual agenda behind the European project (or European history for that matter)?

† Last night I was doing my meditations and just letting go and following the music when suddenly I was in a hotel room, walking towards a sliding glass door and looking down at a busy city street.It only lasted a couple seconds but it was as real as sitting here typing. It was a room I'd never seen before. I had a few other flashes, less dramatic but still pretty intense. I wasn't thinking about anything to bring that image into my mind - it burst into my mind like like a bomb going off. It took a while to get my pulse and blood pressure back down. This is nothing to experienced astral travelers, I'm sure, but pretty mind-boggling when you're not even trying...

NOTE: A short storyline draws on The Outer Limits; it has an apartment complex whose residents are kept prisoner by a Lovecraftian creature who provides for their needs but won't let them leave. One by one they go insane. Baron Winters sends a sociopathic career criminal to the building to deal with the monster.  For some reason it feels like someone in the X-Files writers' room read that story…

Hey Kids! Weaponized Black Magic! All in Color!

Give Webster Tarpley the credit for calling out the agenda long before anyone else. He saw that the the Obama Administration-- the Phoenix-like resurrection of the old Rockefeller Republicans trading under the Democrat label-- had set their sights on war with Russia and China while everyone else was still speculating about Iran. 

Tarpley knew that the Obamafellers would cut a deal with Iran and go after Russia, which they are certainly doing now, using their Saudi friends to crash the oil market (which has the added benefit of crashing the economies of the Rockefellers' old enemies in the American West).

The Great Game is played no matter who is in power.  Presidents don't matter, parties don't matter, Congresses don't matter. I'm not even sure if Obama even sits in on these strategy meetings anymore. As with Reagan and W and maybe even Bubba, he seems surplus to requirements. American cities burn and Obama plays golf on Martha's Vineyard.

So welcome to Cold War II. 

I was thinking about the Cold War and the Rockefellers when I was reading a great old comic- a very strange and powerful artifact of a time when DC Comics was willing to try anything to regain the ground it lost after giving the reins to artist/editor Carmine Infantino in the late 60s. 

Simultaneously imperious and incompetent, Infantino rewarded his old friends with plumb gigs but crushed anyone who questioned his authority. Even the creators of Superman were not immune from Infantino's thirst for vengeance. 

When a group of veteran creators tried to organize to get benefits such as health insurance in the late 60s, Infantino had them all blacklisted. Some would find work at Marvel but many found themselves out of work.

After Infantino embarrassed the company with his handling of the Superman creator controversy, he was replaced by magazine industry vet Jeanette Kahn. Infantino's nemesis Dick Giordano later came in as editor in chief and the Kahn-Giordano regime set about rebuilding the shattered DC brand by repairing relations with talent. This strategy would lead to some of the best known properties in comics history such as Frank Miller's Batman: Year One and Dark Knight series and Alan Moore's Swamp Thing and Watchmen series.

As is so often the case, timing was everything. With the controversial Jim Shooter taking control at Marvel at the very same time Kahn and Giordano were looking to bolster their tired staff of aging journeymen, the new DC team found themselves with a mass exodus of top tier creators looking for new deals. One of these was Marv Wolfman.

Wolfman wrote pretty much everything for Marvel but is perhaps best remembered as the writer of Tomb of Dracula, a long-running series that took its cues from the Hammer films and expanded greatly on the themes of evil and Satanism, thanks to a loosening of the Comics Code. Wolfman and artist Gene Colan created the vampire killer Blade in Tomb, a character who spawn a series of films and a short-lived TV series.

When Wolfman moved to DC he revived the old Teen Titans concept with artist George Perez, giving the new DC its first bonafide hit. With that clout he then created a comic meant to appeal to an older readership called Night Force, which previewed in New Teen Titans #21.

Oddly enough the original inspiration for Night Force came from an unsold idea for a newspaper strip called The Unexplained, which was one of the endless parade of X-Files predecessors that drift like tulpas out there in the ether. 

The Unexplained was created with top artists Ross Andru and Mike Esposito, but fell victim to a newspaper strike before it could launch. Apparently, there was a great deal of interest in the property. How strange the flow of events can be.

Wolfman was tapping into strange currents with Night Force. Tomb of Dracula was famously praised by a member of the Church of Satan for presenting the satanic point of view so fairly (there was a character clearly modeled on Anton LaVey, and Dracula became head of a satanic cult in Tomb) and that seemed to make an impression on Wolfman. The only recurring character in Night Force was Baron Winter, who also seemed to be based on Anton LaVey, but seemed to portray a more ambiguous morality in place of satanic evil.

But the interesting thing is- and here's where we get back to the Rockefellers-- is that the first story arc in Night Force dealt with a Cold War battle between the US and the Soviets over one Vanessa Van Helsing (of that famous family, yes), who was herself an unwilling conduit for satanic evil. In Night Force, both the US and Russian militaries saw evil as a kind of electromagnetic force that could be harnessed and then weaponized. 

Wolfman seemed to be reading a lot of the more outre conspiracy material of the time, which was full of this stuff. But as regular readers are well aware, there was some basis in truth to all of this- Satanists on government payrolls, psychical research as a potential weapons technology. Anton LaVey was a paid informant for the SFPD, his old lieutenant Michael Aquino was running mind control experiments for the US Army and God (or Satan) knows what else.

And most tantalizingly of all, there's that story that keeps popping up again and again and again; of a time when government psychics were being used to contact "demonic forces" and experienced some terrible kind of blowback that left a lot of people dead. It's a story that keeps popping up in the most unlikely places. 

Night Force was roughly contemporaneous with Wavelength, the earliest example I can find of the theme. Which makes me think such an event may well have happened not long before.

UPDATE: Oh my my, isn't this a timely conversation? You'll find out why in the first 5 minutes...